[Vertical geographies and smart landscapes — Urban invisibles as new territories to be mapped. —  Edition 12 × 18 cm ; Fedrigoni Freelife Cento Extra White 100g ; Bookcover Lana Light Grey 240g ; 188 pages ; Handmade book binding ; 8 copies.]

(At the back of the book : While the accepted representation of landscape was until then qualified by its horizontality and linear perspective, it now tends to go beyond this conventional image : we are gradually committing ourselves to consider its vertical dimension. Far from the steamy plains and forests depicted by many painters, from William Turner to Claude Monet, all attached to the idea of a sensitive landscape, all the concepts linked to the territory and its geography are now at the center of new questions : the landscape now appears as a set of strata, visible and non-visible, witnessing digital upheavals. Nevertheless, can we really affirm that the cartography of the contemporary world reflects the current state of digital change ? Does it play an important role in the archiving of these new phenomena ? Finally, how to do mapping in the age of the "hyper" and "smart" ?)

[Bot creation, able to cross and archive sources to answer to questions about last Iran's Internet shutdown —  Screen record on Mac Book ; 1920 × 1080 px.]

[still in progress]

[Website which attempts to present the landscape and its different layers, mostly the digital layer and omnipresence of data in our spaces — Web interface 1920 × 1080 px ; Coded by myself in HTML5, CSS3 and JS ; Original video from Elisa Sanchez, 23.11.19 in Suzhou, China.]

[Remaking and reprinting the thesis of Pierre Boyer — Edition 14 × 18 cm ; Fabriano White Paper Recycled 90g ; Bookcover bubble wrap ; 220 pages ; Handmade book binding ; unique copy.]

[Edition bringing together all of Killian Vaing ' s slam poems, written during a year in Colombia — Edition 14 × 18 cm ; Paper Lana White 100g ; Bookcover Lana Blue-Grey 250g ; 70 pages ; Spiral binding : unique copy.]

[Edition showing how hard it is to take same pictures as Google Street View cameras — Edition 12,5 × 18,5 cm ; Paper Munken Print White 115g ; Bookcover Munken Print White 115g ; 108 pages ; Handmade book binding ; 2 copies.]

[Map-report of my trips avoiding CCTV cameras — Map 29,7 × 42 cm ; Paper Cyclus 70g ; Plastic sleeve 10,5 × 14,8 cm ; Both sider ; 3 copies.]

[A 10 meters receipt ticket, on display in the street, to make aware about invisible pollution on Internet : the Google requests, using .js program to collect and automate the layout — Automated publication, 60 × 1000 cm ; Reprographic Paper 100g ; 2 copies.]

[Photographic map/road book. A trip from Paris to Strasbourg — Edition 21 × 29,7 cm ; Paper Cyclus Recycled 70g ; 48 pages ; Stitching ; 3 copies.]

[Graphical intervention presented during " La Nuit de l'Aubette " in Strasbourg, with Lucie Henriot, Maÿlis d' Haultfoeuille and Lucile Pages in a workshop called " Machine Aubette " set up by Jérôme Saint-Loubert Bié, Loïc Horellou and Isabelle Le Minh. Generated unique flyer, each 40sc thanks to .js and .py scripts, based on different data collected during the events. — Flyers 21 × 21 cm ; Paper Cyclus Recycled 90g ; Infinite copy.]

[App realized with Amelie Vorms, for a partnership with Panda Suite and George Pompidou Center during " La Fête du Code Créatif ". This event organized for children aged 2 to 10 years old, allows them to understand the mysteries of computer code by discovering the museum through digital artistic devices. The app is a support of cultural mediation, to make children aware of the works of Jean Dubuffet and his creative process. — UI/UX Design on Ipad, 2732 × 2048 px.]